BronzePage: ''You made a bold move to relocate to Hollywood. How was that? Did you know anyone in that city and how difficult was that decision?''
Tony: ''I had just graduated from college, was struggling with work and not exactly doing a job that I found fulfilling. I figured if I was going to have job insecurity it might as well be with something I was passionate about. I had been bitten by the acting bug all the way in Nigeria but never had the guts to pursue it. Upon graduation, I felt I had fulfilled my contract with my parents, so it was okay for me to follow my dreams. It had to be New York or Los Angeles, and I didn’t know anyone in the former. One of my college roommates had relocated to LA a year prior. I moved in with him and his girlfriend and they made the transition quite comfortable. Moving was a simple decision for me, simply because I didn’t know any better. The difficult part was the actual journey. I drove from Minnesota, got into an accident where my car was totaled and I spent the night in the ER. I took a Greyhound bus from Sydney, Nebraska for the rest of the trip to LA. I still don’t regret my decision to move to LA''.
BronzePage: ''How long did it take before you were able to break into the movie business?'''
Tony: "It took four years before I got my first TV credit on a show called The Unit. However, I did plays, documentaries, music videos, student films, short films, joined the Screen Actors Guild (SAG) and even worked as a background performer in that four-year span.''
BronzePage: ''You were in Bob Hearts Abishola. Many Americans saw some parts of the cultural makeup of the Nigerian / African community. Did it hit you that you
were working with one of the most prolific people in Hollywood....Chuck Lorre? The guy with the Midas touch...his work in Hollywood speaks for itself: 'Big Bang
Theory', 'Two and a Half Men',' Moms,' ;Mike and Molly,' 'Young Sheldon', 'Cybill'......how does it feel to work with such a genius and how did you get that part? How did he know so much about Nigeria? Did he have Nigerian writers or he just relied on you guys?
Tony: 'Bob Hearts Abishola was an amazing experience and definitely a career-defining moment for me. I was
already a huge Chuck Lorre fan, and when I realized that he was creating a show about Nigerian immigrants, I couldn’t be more excited; I wanted to watch it; I wanted to be in it! When my agent and manager informed me that I had an audition for the role of Chukwuemeka, I read the breakdown of the character and something just felt right. I knew I was Chukwuemeka. I knew the role was going to be mine. I did the work and prepped for the audition – with a little extra zest and confidence. After two auditions, I got the call, and the rest like they say is history.
Chuck Lorre was great to work with. In Season 1 he was very hands-on as the show creator, and was there every time we were shooting. He was soft-spoken, friendly and gave me great notes a couple of times. This was always done in collaboration with the director. At the end of shooting my very first episode he came up to me, shook my hand and told me thanks for doing a great job. He said they were happy to have me and appreciated the job I had done. Needless to say that was the highlight of my time on set. In subsequent seasons due to COVID restrictions, there was less interaction but he was always warm and gracious every time we met.
In terms of the Nigerian aspects of the show, most of that came from Gina Yashere who was initially hired as a consultant but ended up becoming one of the show creators, producer, and a series regular. She was also one of the writers along with other Nigerian writers.''
BronzePage: ''Besides Bob Hearts Abishola, you have done a few Hollywood movies such as: Hollowpoint, Blood Corral. Sugar babies, Acceleration, even shows like
Scrubs....you most likely saw some of these actors on the big screen while growing up in Africa. How does it feel to see them up close and personal and work with them?''
Tony: ''My career so far has been nothing short of amazing. It feels great to have worked with some legends of industry and every single one of them has been a class act. I remain eternally grateful for the kindness of Gina Yashere, the wisdom of Vernee Watson, the knowledge of Barry Shabaka Henley, just to name a few. Every single time I’ve met actors I knew and respected, the meeting was pleasurable and memorable. I feel I’m lucky in that aspect and I pray it continues that way.''
COMING UP:
TONY TAMBI SPEAKS ABOUT NOLLYWOOD.